W. (1968). The use of entertainment films in psychiatry and mental health lecture sessions. In Proceedings of the 20th World Congress. Washington: World Federation for Mental Health.
A. (1997). The psychiatrist, the patient, their relationship and the movies, Psychiatric Bulletin, 21, 369-370.
, Jennings, P. & Baruch, R. (1990). Cinematherapy: Theory and application. Psychotherapy in Private Practice 8(1), 135-156.
(2006). Mad Tales from Bollywood: Portrayal of Mental illness in Conventional Hindi Cinema. New York: Psychology Press.
(2008). Mad tales from Bollywood: Portrayal of mental illness in conventional Hindi cinema, psychology press, Newyork.
and De Silva, P. (2007). The silver screen, printed page and cultural competence, The psychologist 20, 9.
& Carroll, N. (eds.), Post-Theory. Reconstructing Film Studies, Madison: University of Wisconsin Press, pp. 87–107.
& Thompson, K. (1993). Film Art – An Introduction. New York: McGraw-Hill. In P. Persson. (2003). Understanding cinema: A psychological theory of moving imagery. Cambridge, UK: Cambridge University Press.
(1996). “Convention, Construction, and Cinematic Vision,”In Byrne, P. (2009) Psychiatry in the movies, British journal of psychiatry, 194-196.
(2001). From reel to real: Use of video as a therapeutic tool. Afterimage, 29(3), 22.
(1997). Variation on I and thou. Gestalt review, 1: 56-70.
B. & Hutchings, J.B. (2000). Utilizing movies in family therapy: Applications for individuals, couples, and families. The American Journal of Family Therapy, 28, 163-180.
(2001). The Virtual Life, Escapism and Simulation in our media world. New York: Fusion Press.
(2003). Teaching Normal Development Using Stimulus Videotapes in Psychiatric Education, Academic Psychiatry, 27: 4.
and Gabbard, G.O. (1987). Psychiatry and the cinema. Chicago, The university of Chicago press.
Beneficial film guides, Turn Box Office Movies Into Mental Health Opportunities: A Literature Review and Resource Guide for Clinicians and Educators
(1994). “Constructing Inferences During Narrative Text Comprehension,” Psychological Review. Vol. 101, No. 3, 371–95. In P. Persson. (2003). Understanding cinema: A psychological theory of moving imagery. Cambridge, UK: Cambridge University Press.
Emotion elicitation using films, cognition and emotion, 9, 87-108.
W. and Hesley, J.G. (2001). Rent two films and let's talk in the morning, 2nd ed., New York: Wiley.
(2000). Reel therapy: movies are the hot new prescription. Psychology Today, 33 (1), 54-57.
L. & Kottman, T. (1997). Movies as metaphors: A counseling intervention. Journal of Humanistic Education and Development, 36, 92-99.
(1998). Visual Intelligence: How We Create What We See. New York: In P. Persson. (2003). Understanding cinema: A psychological theory of moving imagery. Cambridge, UK: Cambridge University Press.
(2005). Indian government bans smoking in new films and TV serials, BMJ, 330 25.
V.K. (1980). Cinema and society. Bangalore, India: Bangalore University. Newton, A.K. (1995). Silver screens and silver linings: using theatre to explorefeelings and issues. Gifted Child Today, 18, 14–19, 43.
In P. Persson. (2003). Understanding cinema: A psychological theory of moving imagery. Cambridge, UK: Cambridge University Press.
L. Cliff, Chamberlin and Mueser, K.T. (2003). The Effects of a Documentary Film About Schizophrenia on Psychiatric Stigma, Schizophrenia Bulletin, 29(2): 383-391.
(2003). Understanding cinema: A psychological theory of moving imagery. Cambridge, UK: Cambridge University Press.
A. (2006) The use of popular film in psychotherapy: Is there a “cinematherapy”? Psy. D. dissertation, Massachusetts School of Professional Psychology, United States.
H. (2003). Terrorism and forensic psychiatry, journal of American acadameic psychiatry law, 31; 285-8.
J. (2003). Reel Psychiatry: Movie Portrayals of Psychiatric Conditions, Rapid Psychler press.
Beyond A Beautiful Mind: Film Choices for Teaching Schizophrenia Academic Psychiatry, 27: 2.
The psychiatrist in the movies: the first fifty years in psychoanalytic study of literature, analytical press.
(1995). Engaging Characters, Fiction, Emotion, and the Cinema. Oxford: Clarendon. In P. Persson. (2003). Understanding cinema: A psychological theory of moving imagery. Cambridge, UK: Cambridge University Press.
(1995). The motion picture prescription: Watch this movie and call me in the morning. CA: Aslan Publishing.
C. (2003). A princess in God's eyes: Cinematherapy as an adjunctive tool. Journal of Psychology and Christianity, 22(3), 259-261.
A. & Kintsch, W. (1983). Strategies of Discourse Comprehension.
and Boyd, M (2006). Movies and mental illness: Using film to understand psychotherapy Primary care companion journal of clinical psychiatry 8, 3
In P. Persson. (2003). Understanding cinema: A psychological theory of moving imagery. Cambridge, UK: Cambridge University Press.
A. (2005) Using the Science Fiction Film Invaders From Mars in a Child Psychiatry Seminar, Academic Psychiatry, 29: 316–321.
(2009). Reflections in Psychology: The Psychology of Entertainment. accessed from URL: http://ezinear-ticles.com/?The-Psychology-of-Entertainment&id=4586950 Retrieved on 10.9.2010.
oxforddictionaries.com accessed from URL: http://www.oxfordd-ictionaries.com/definition/cinema? view=uk on 5.9.2010
encarta.msn.com. accessed from URL: http://encarta.msn.com/dictionary_/cinema.html Retrieved on 5.9.2010.
ifsstech.wordpress.com accessed from URL: http://ifsstech.word-press.com/2009/09/05/a-definition-of-cinema/ Retrieved on 7.9.2010
USA: Microsoft Corporation.
(2010). Main Film Genres. USA: American Movie Classics Company LLC. accessed from URL: http://www.film-site.org/genres.html Retrieved on 30.8.2010